Susannah Adams | Album Release
Susannah Adams’ new album HEARTH is set to warm both heart and soul.
Gather around the imaginal hearth as jazz vocalist Susannah Adams returns to Hermann’s to spin us a beautiful dream to drift within. Riding upon her enchanting vocals we will travel through songs of deep mystery, to poetry set to spontaneous compositions, and to vibrant interpretations of classic jazz standards.
Celebrating the release of Adams’ new album, HEARTH, she will be performing it for the first time with a stellar line-up: Attila Fias (piano), Louis Rudner (upright bass) and Kelby MacNayr (percussion/drums)
These unique and long, dreamy tracks are inspired by the beauty of the natural landscape and are rooted in Adams’ Celtic lineage. Distilled into soundscapes intended to soothe the senses, Adams delivers a new breadth of jazz music that exudes a rare and sacred sensual connection to the land.
This is sure to be a magical night.
“Susannah Adams’ meditative music falls into its own mystical genre and is both heartfelt and unique in its own quiet way.” Downbeat critic Scott Yanow.
Gather around the imaginal hearth as jazz vocalist Susannah Adams returns to Hermann’s to spin us a beautiful dream to drift within. Riding upon her enchanting vocals we will travel through songs of deep mystery, to poetry set to spontaneous compositions, and to vibrant interpretations of classic jazz standards.
Celebrating the release of Adams’ new album, HEARTH, she will be performing it for the first time with a stellar line-up: Attila Fias (piano), Louis Rudner (upright bass) and Kelby MacNayr (percussion/drums)
These unique and long, dreamy tracks are inspired by the beauty of the natural landscape and are rooted in Adams’ Celtic lineage. Distilled into soundscapes intended to soothe the senses, Adams delivers a new breadth of jazz music that exudes a rare and sacred sensual connection to the land.
This is sure to be a magical night.
“Susannah Adams’ meditative music falls into its own mystical genre and is both heartfelt and unique in its own quiet way.” Downbeat critic Scott Yanow.
